Tibetan Mother And Children Walking In Qinghai Black And White | Limited Edition of 10

A Fleeting Family Moment On A Qinghai Street

I photographed this Tibetan mother walking with her two children in the Guoluo Tibetan Autonomous Prefecture of Qinghai, China. They were moving directly toward me along the street, and the moment came together almost instantly: the mother's concentrated gaze above her patterned face covering, the younger child leaning slightly outward at her side, and the older child keeping pace on the other side.

There was no opportunity to arrange anything. The woman was clearly in a hurry and was not going to stop for me, so I had to react quickly and make the photograph while all three were still moving. That immediacy is what I value in candid street photography. Expressions, gestures, distance and timing have to fall into place on their own, and sometimes the entire photograph exists for only a fraction of a second.

The mother's eyes dominate the frame. Beneath her heavy knitted hat, her direct gaze immediately pulls me toward the center of the photograph, while the two children create very different points of interest on either side. The younger child's tousled hair and serious expression contrast with the older child's lighter jacket and animated face. Between them, the cartoon backpack becomes an unexpected graphic element, adding another layer to an otherwise strongly human scene.

I also wanted enough of the surroundings to remain visible. The road stretches behind the family past bare roadside trees, utility poles, distant pedestrians and buildings, while a white fence and dense evergreens frame the opposite side. Those details establish the setting without overwhelming the three figures. In black and white, the variety of knitted fabric, patterned clothing, dark jackets, hair, pavement and roadside textures becomes much more pronounced.

This photograph is offered as a limited edition of only 10 prints. I personally sign each print, and every edition includes a certificate of authenticity. I print the photograph using archival pigment inks on premium archival paper, preserving the tonal separation and fine surface detail that are particularly important in a black-and-white image like this.

As wall art, I see this photograph working especially well for collectors drawn to documentary photography, human-centered travel imagery and strong monochrome work. Its presence comes from the people rather than spectacle: three individuals, each with a distinct expression, moving through an ordinary street at one unrepeatable moment.

For me, the lasting value of the image is exactly that ordinary immediacy, which is also central to my daily life photography.

© Dan Kosmayer, 2015